From start to finish, my writing pace on Seeds of Calamity was one fifth what it was for my debut book, Tendrils to the Moon. What changed?
- The birth of my second child, who turned 1 last week. While my wife's hands were full, I spent more time with our firstborn, which limited my writing time on weekdays. To make time, I started waking up between 3 and 4 am to write.
- Reduced drive. I liken my passion for writing to water topping a dam. When I started Tendrils, I had not written fiction in 6 years. So when the dam broke, all that pent-up desire to write poured out of me. The flow had ebbed by the time I started writing Seeds.
- Plotting. Seeds has a less direct plot than Tendrils. Before I start writing, I have strong ideas about the beginning and end of the story. Writing compelling narrative spanning the middle of a book is a challenge for me.
- Backtracked 6,000 words. In January, I reached a dead end and realized a major plot device in the second act wasn't going to work. So I stopped and replotted it, transforming the whole second act in the process. This, in my opinion, was the single best decision I made over the drafting phase. It facilitated a speedier and more credible plot. No second act doldrums here!
- Premature editing. I broke a cardinal rule and repeatedly went back and edited earlier chapters before I finished the first draft. This worked to an extent while I was writing Tendrils because it helped to beef up setting and characters. For Seeds, not so much. I probably lost months to this aimless tinkering. You don't know a scene is right until you see it in her context of the whole. One of my process goals for the next book will be to not edit until I finish the first draft.
As always, let me know what you think in the comments. I'll reply to you as soon as I can. I invite you to read the first 4 chapters of Seeds of Calamity for free. If it piques your interest, get yourself a copy at Amazon. I appreciate the support!
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